IHSS/ELA OHP Interview: What Could we do Different?

Our interview went...okay. It lasted thirty-seven minutes on the dot (which was twenty-three minutes shorter than the recommended time) and we messed up a couple of times (most crucially at the beginning, when we forgot to ask Mr. Goerlitz his background information). We also underestimated the amount of questions that we needed, which led to a couple of awkward pauses at certain points throughout the interview ("uhhh...do we have any more questions? Uh..."). In short, when (or if) next interview rolls around, there should be at least twenty questions that we have ready, and we should never forget to ask the interviewee's background. That way, we will get good starting information, and have a sufficient amount of things to talk about to fill at least an hour.

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Use of Formulaic Language in the Odyssey

Because the Odyssey was written circa. 800 B.C.E, it obviously wasn't meant to be read by a bunch of high-schoolers at a Montessori school in 2016 Houston, Texas. It, gathered from research by linguists, archaeologists, and historians, was almost certainly meant to be performed. I don't think anybody has mentioned that only the major or supporting characters in the Odyssey are given epithets (ie. "Owl-eyed Athena, godly Nestor, Red-haired Menelaus "), and there is quite a lot of supporting characters for a relatively short epic compared to the length of fantasy & epic literature today. Because of this, these epithets were not only used for rhythm and splendor when performing. In fact, some were likely put there to remind the audience members of characters that haven't been seen in a while. However, for the characters like Zeus, Poseidon, and Athena who appear often, the performance explanation seems to be the greatest. However, another possible reason is ...

Sound Devices in "We Real Cool"

THE POOL PLAYERS. SEVEN AT THE GOLDEN SHOVEL. We real cool. We Left school. We Lurk late. We Strike straight. We Sing sin. We Thin gin. We Jazz June. We Die soon. We Real Cool" is a great piece of literature. It doesn't take more than fifteen seconds to read, and yet I found it to be one of the most interesting poems I have come across, not only for its surprisingly deep meaning, but also for it's enjoyable and catchy use of sound devices. Some uses of sound devices in the poem are obvious. For example, the two sentences in each stanza (not counting the use of enjambment with the word "we", which, by the way, is an interesting visual choice) produce a couplet, as they rhyme. However, looking deeper into the poem, we start to see more hidden devices, such as the consecutive rhyme "we thin gin" and the fact that on the first and second lines of the second and and the first line of the fourth stanza, al...

How Were Frederick Douglass's Human Rights Violated?

A human right is any such right that is guaranteed to each and every human regardless of creed, class, color, race, gender, or sexuality upon birth. However, to say that because every human is guaranteed these rights that these rights are untouched is a falsity. Today, human rights are constantly violated every day, and it was no different in Douglass's time. In Chapter 10, on page 35 of the novel, Douglass describes how we was sent by his then-master, Mr. Covey, to gather a load of wood using a wooden cart and two oxen. Covey tells Douglass to hold on tight when the oxen begin running. In no fault of his own, Douglass is dragged at an immense speed by the oxen, who crash the cart into rocks and trees. When Mr. Covey learns of this, Douglass is then brutally whipped, even though he had no prior experience with oxen and this particular exercise. Beyond slavery itself violating an essential human right, Douglass describes the numerous times when he is beaten, occasionally to life-t...

Adventures at Post Oak High

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